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Faisal

Versatile and inventive, Faisal Azam approaches filmmaking with the eye of an artist. A graduate of UC Berkeley with a degree in Rhetoric, Faisal began his professional life in Los Angeles working as an advertising communications analyst where he evaluated television commercials and marketing campaigns for some of the world’s top companies. As his appreciation for the power of image-based advertising grew, it awakened a desire to tell stories and convey messages through the ultimate visual medium—film.

On a leap of faith, Faisal came to New York City with little but an instinctive love of cinema and strong aesthetic sensibilities. Beginning his filmmaking career as an editor, Faisal developed a keen sense of narrative structure and a deep understanding of storytelling as a precise and exacting art. Having gained experience with a variety of film forms—from commercials and promos to documentaries and narrative films—he has worked with clients as diverse as Nike, Consumer Reports, Academy Award winning director Zana Briski, and Rolling Stone. In 2006, he co-wrote and directed his first short film, Unknown Shores—which screened at a number of domestic and international film festivals. In addition to this blog, he is currently at work on his next film project.

Metallica: Some Kind of Monster

In 1987, I discovered the heavy metal band Metallica. I was living in Saudi Arabia, of all places, when my musical world was rocked by Master of Puppets. An American friend who had gone to the US over Christmas break lent me the tape. Although there were many music stores in Jeddah, where I lived, their selection was limited to mostly mainstream pop and Top 40s rock; you couldn’t wander into a store and easily find fresh or offbeat…

Protected: My Dinner with Andre Royo, Part II: “Beginner’s Mind”

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Protected: My Dinner with Andre Royo, Part I: Prologue

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“Film as Dream, film as music…”

“Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.”

–Ingmar Bergman, The Magic Lantern

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